Co-Director, Furtherfield

Ruth is an artist/researcher/curator of emancipatory network cultures, practices and poetics. She is Co-Director of Furtherfield for art, technology and eco-social change, Co-PI at Serpentine Galleries Blockchain Lab and Trustee of FACT. She specialises in critical group-driven discovery and playful co-creation that embraces more than human interests for fairer and more connected cultural ecologies and economies.

Curator, HeK Basel

Boris studied art history and philosophy at the University of Geneva and completed his PhD at the University of Zurich. Curated shows include Entangled Realities (HeK, Basel, 2019), Future Love. (HeK, Basel, 2018). His book Confronting the Machine (Berlin/Boston: de Gruyter 2017) examines the traditional narratives relating artistic production to technology and the society.

Assistant Curator, Tate Britain

As Assistant Curator of British Contemporary Art, Nathan curated Sophia Al-Maria’s Beast Type Song for Tate Britain’s Art Now programme in early 2020 and was part of the curatorial team for Year 3 by Steve McQueen at Tate Britain. In his previous role at Tate Modern, Nathan curated displays for artists including Douglas Gordan, Jordan Wolfson and Jenny Holzer.

Digital Curator, V&A Museum

Before becoming Digital Curator curator at London’s Victoria and Albert Museum, Melanie worked as the V&A’s Digital Programmes Learning Manager. She was previously a curatorial fellow at the Barbican Art Gallery and has over 10 years of experience working in the museum sector curating, commissioning and delivering projects.

Producer, Digital Special Projects, M+ Hong Kong

Kate is a researcher, curator, and producer in digital art. She had six years of experience in leading financial and technology companies. At M+, she spearheads web/M+ Facade digital commissions, online exhibitions, and the development of platforms for regional art and technology communities..